I'm an occasional visitor to Modern Art Oxford, mainly, it has to be said, because the promise of a cup of hot chocolate in the cafe is a guaranteed way to get the young Ms Mills out of the house and out from under her mother's feet on a rainy Saturday afternoon. A couple of weeks ago we visited Haegue Yang 's "Teacher of Dance" exhibition. OK, I'm going to have a boorish Brian Sewell moment and I'm sorry if I offend anyone, but really it was pretentious crap. A room full of venetian blinds hung from the ceiling, a "sculpture" made from discarded light bulb packaging... To quote the gallery blurb: "Predominantly using domestic materials, Yang discloses narratives, individual portraits and her own sentiments, reflecting the balance of research and intuitive enquiry that underlies her practice." Really? Well, she didn't disclose them to me and I'd be interested to hear what exactly she "disclosed" to anyone else. And no I don't think that art has to be representational, and yes I do like abstraction in painting and sculpture (how dreadfully middle-brow) but surely whatever art is it has to communicate something to the spectator's gaze. Isn't that the difference these days between talent and bullshit?
Solving for the equilibrium?
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Sixteen AI agents were each handed 1,000 satoshis of real bitcoin and
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